Double LP version. Vampisoul is back with a fresh batch of funky, folky and psychedelic tropical bangers from the deep vaults of Discos Fuentes (and it's other properties, Tropical and Machuca). As previously stated in the first volume of this series, the term "Afrosound" is an invented concept appropriated from Discos Fuentes. If the term seems a bit vague or slippery, rest assured that with this second installment you will come closer to understanding the Afrosound aesthetic. This Afro-vibration was sent out from the cold, misty high mountains and bounced back down to the flattened plains, meandering rivers, verdant valleys, steaming jungle and whispering shores of the azure sea, where it was resold to the original regions that inspired it and traveled to further lands beyond the horizon, like Mexico, Peru, Venezuela, Argentina. There were also several smaller coastal-based labels like Curro and Tropical that did much the same thing, but maintained a local base of operations for their work. You would have found this sound in little moldy hardware, musical instrument and dry-goods stores, or broadcast on radios in buses, cars, trucks, fishermen's canoes, even lashed to burros. It blasted in bars, hotels, on beaches from transistors. It was played on the booming sound systems at the outdoor black champetero parties under the palm trees and in the palenques, social clubs and house parties in working-class barrios, on crackling loudspeakers blaring from street festivals, in plazas. This incredible stream of black gold adorned and enriched the public airways of Cali, Buenaventura, Cartagena, Baranquilla, to become a symbol of pride and part of Colombia's collective identity. Afrosound is not really something tangible that can be tied down and bound to a critic's rules. Nor is it some venerable folkloric strain passed down through generations from time immemorial. It's a modern bastard hybrid, syncretic and synthetic, spawned in the studio, co-opted by government, commodified by an industry that could only have been born in the era of the global village. The unifying factor of this second volume is still the same: African roots or influences and the period of experimentation, self expression, upheaval, rebellion and rebirth in the industry, nurtured by Discos Fuentes and it's stable of musicians, producers and engineers.


1 Pachanga Miramar - El Sexteto Miramar
2 Cumbia de Luna - El Combo Loco
3 Juventud Flaca y Loca - Lisandro Meza y Su Combo Gigante
4 Sabor de Vacana - Peregoyo y Su Combo Vacana
5 Que Se Hicieron - Orquesta Ritmo de Sabanas
6 Pompo Del Pilón - los Corraleros de Majagual
7 Goza Mi Tamborera - los Teen Agers
8 Caleñita - Michi Sarmiento y Su Combo Bravo
9 Rosalba - Banda 20 de Julio de Repelón
10 Locura de Mi Cumbelé - Adolfo Echeverria y Su Orquesta
11 Achilipu - Fruko y Sus Tesos
12 Banana de Queso - Afrosound
13 Fayab Fayab - Wganda Kenya
14 Batukacuto - Tita Duval/El Nuevo Ritmo de Bobby Rey
15 El Nativo - Wganda Kenya
16 El Soncito - Chico Cervantes y Su Nueva Banda
17 Dale Al Bombo - the Latin Brothers
18 Juana Rosa Manzano - Corraleros de Majagual
19 Caimán y Gallinazo - la Integracion
20 Yolanda - los Bestiales
21 La Rochela - la Banda de la Boquilla
22 Una Abeja en El Semáforo - Afrosound
23 Luz en la Inmensidad - Fruko y Sus Tesos
24 Staying Alive - Machuca Cumbia


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